Transitional Justice: The ‘Disappeared’

On 31 August 2021, The Chair moderated a seminar entitled “Transitional Justice and the ‘Disappeared’ of Northern Ireland”. The seminar explores local and international issues of dealing with enforced disappearances. Speakers at the Seminar included:

  • Dr Lauren Dempster, Lecturer in the School of Law at Queens University Belfast, who has just published in 2020: “Transitional Justice and the ‘Disappeared’ of Northern Ireland”.
  • Respondent: Dr. Rainer Huhle, Germany, independent expert of the UN Committee on Enforced Disappearance (2011-2019). Member of the Coalition Enforced Disappearances in Colombia and lecturer at the Master of Human Rights program of the University Erlangen/Nürnberg.
  • Moderator: Professor Brandon Hamber, the John Hume and Thomas P. O’Neill Chair in Peace, Ulster University.

The seminar is part of the “Following the Footsteps of the Disappeared”, a three-year programme that started in Chile in 2019 incorporating seminars and a textile display to mark International Day of the Victims of Enforced Disappearances on 30 August. It will end in Mexico in August 2022.

“Following the Footsteps of the Disappeared” is a partnership between Conflict Textiles, the Ulster Museum and the John Hume and Thomas P. O’Neill Chair in Peace, Ulster University.

New Permanent Exhibition

Today we launched a permanent rotating Conflict Textiles exhibit in the Ulster University Library on the beautiful Magee campus. This marks a new stage in our longstanding relationship between Conflict Textiles and the university where we have the online collection on CAIN.

Photographer Martin Melaugh

The new exhibit is done in partnership with the John Hume and Thomas P. O’Neill Chair in Peace. The first two pieces connect to the forthcoming ‘Following the Footsteps of the Disappeared’ programme.

Photographer Martin Melaugh

Footsteps of the Disappeared

“Following the Footsteps of the Disappeared” is a two-day programme incorporating a textile display and 2 seminars to mark International Day of the Victims of Enforced Disappearances 30 August 2020.

Photo credit: La Cueca Sola / Dancing Cueca alone, Chilean arpillera, Anonymous, 1989, Oshima Hakko Museum collection, Japan. Photographer Martin Melaugh, © Conflict Textiles

Programme of Events

Launch of “Following the Footsteps of the Disappeared”, 30 August 2020, 14:00pm for more information and/or register.

Seminar “Transnational Experiences of Enforced Disappearances”, 30 August 2020, 14:00pm for more information and/or register.

Seminar “The Search for the Disappeared: Textile and art expressions”, 30 August 2020, 16:00pm for more information and/or register.

Partners

“Following the Footsteps of the Disappeared” is a partnership between Conflict Textiles, the Ulster Museum and the John Hume and Thomas P. O’Neill Chair in Peace, Ulster University, and also the Transformative Memory Network.

Ulster University INCORE

Colombia Study Visit

Professor Hamber was named on the application entitled “Transformative Memory: Strengthening an International Network” led by Dr Baines Professor and Dr Pilar Riaño Alcalá from the University of British Colombia and funded by the Social Sciences and Humanities Research Council of Canada. The project seeks to create an international network of scholars, artists and community-based memory workers to co-create and exchange knowledge and practice on the ways memory is employed to address the responsibility people have towards the well-being and rights of others in the aftermaths of mass violence. Current partners are from Canada, Colombia, Indonesia, Uganda, Peru, Northern Ireland and the United States. The network, called the Transformative Memory Partnership, has now been launched.

In February 2020, Professor Hamber, the Hume O’Neill Chair, accompanied the project participants from Uganda, Colombia, Canada, and Indonesia on a study visit and exchange to Colombia. Hosted by the National University of Colombia in collaboration with the Communications Colective Montes de Maria, the University of Los Andes and Erika Diettes’ studio, the Colombian Exchange. Participants came from Colombia, Indonesia, Canada, Northern Uganda, The United States and Northern Ireland participated (list of participants).

Participants in the first day of Exchange in the city of Bogotá, Colombia. Photo credit: Fernanda dos Santos.

The visit (full chronicle of the visit here) focused on lessons about how memory work is undertaken in conflict and post-conflict settings, and include time in Bogota but also in the Montes De Maria a rural part of Colombia deeply affected by the conflict. A range of information sharing and learning exchanges took place, including visits and sharing to conflict-related museums, as well as exchanges with local communities (e.g. exchanges in San Basilio de Palenque, the first free Black town of the Americas to discuss indigenous experiences of conflict; and also visits to El Salado and meeting local communities impacted upon by massacres). There was, among others, also exchanges with representatives (magistrates, commissioners and coordinators) from the three organisations of the Integral Transitional Justice System; The Special Jurisdiction for Peace (JEP); the Truth Commission, and the Unit to Search for the Disappeared.

Screening Violence: Argentina

The Chair has continued work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol University, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia. The lastest screenings took place in Dungannon on 7 November 2019, with the support of the Dungannon Film Club, showing two Argentinian films followed by a discussion with participants.

The films shown were “Padre/Father” (Director Santiago Bou Grasso), a short stop motion animation piece that portrays the day-to-day life of a woman who looks after her bedridden military father. The second film was “Who am I?/Quién soy yo?”(Director Estela Bravo), a documentary about the stolen babies of the 1976-83 military dictatorship in Argentina who have recovered their true identity. Needless to say, the films provoked an interesting discussion.

The Argentinian animation can see below, and if you further questions on the project or want to participate contact Professor Brandon Hamber.