The lastest screenings “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” took place in Dungannon on 16 January 2020, with the support of the Dungannon Film Club, showing two Indonesian films followed by a discussion with participants. The films were Sowan (The Visit) which documents the friendship of two young women, Mien and Murti, who end up on different sides of the political troubles of the mid-1960s. The second film Provocator Damai (Peace Provocateur) is short documentary charts the experiences of Christians and Muslims residing with families of the opposite faith. The second film, in particular, raised an important discussion about the impact of cross-community work in Northern Ireland, with a range of divergent views.
The Chair has continued work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol University, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia. The lastest screenings took place in Dungannon on 7 November 2019, with the support of the Dungannon Film Club, showing two Argentinian films followed by a discussion with participants.
The films shown were “Padre/Father” (Director Santiago Bou Grasso), a short stop motion animation piece that portrays the day-to-day life of a woman who looks after her bedridden military father. The second film was “Who am I?/Quién soy yo?”(Director Estela Bravo), a documentary about the stolen babies of the 1976-83 military dictatorship in Argentina who have recovered their true identity. Needless to say, the films provoked an interesting discussion.
The Argentinian animation can see below, and if you further questions on the project or want to participate contact Professor Brandon Hamber.
Last week David Coyles, Dr Adrian Grant and Professor Brandon Hamber presented research findings to a Knowledge Exchange Seminar Series (KESS) at Stormont on “Hidden barriers and divisive architecture: the case of Belfast”. The research notes that “peace-walls” are particularly symbolic of the role that architecture plays in separating residential communities and a comprehensive scholarship continues to assess their effects, but the research focuses on other barriers in the city. The presentation outlines original findings from a three-year multi-disciplinary academic research project funded by the Arts and Humanities Research Council (AHRC), which extends this current understanding of physical and social division. It reveals new evidence of a distinct and important, yet largely unrecognised, body of divisive architecture; an extensive range of ‘hidden barriers’ embedded in various architectural forms across Belfast’s residential communities. You can download the Policy Brief, click here.