A new short film commissioned by the The Hume O’Neill Chair and Conflict Textiles about artist Eileen Harrisson. The film discusses her work with Conflict Textiles over the years and focuses on an exhibition on the Derry-Londonderry campus of Ulster University featuring her work on the conflict in Northern Ireland.
Category: Film
Screening Violence: Indonesia
The lastest screenings “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” took place in Dungannon on 16 January 2020, with the support of the Dungannon Film Club, showing two Indonesian films followed by a discussion with participants. The films were Sowan (The Visit) which documents the friendship of two young women, Mien and Murti, who end up on different sides of the political troubles of the mid-1960s. The second film Provocator Damai (Peace Provocateur) is short documentary charts the experiences of Christians and Muslims residing with families of the opposite faith. The second film, in particular, raised an important discussion about the impact of cross-community work in Northern Ireland, with a range of divergent views.
The AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” is undertaken with partners in Newcastle and Bristol University, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia.
Screening Violence: Argentina
The Chair has continued work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol University, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia. The lastest screenings took place in Dungannon on 7 November 2019, with the support of the Dungannon Film Club, showing two Argentinian films followed by a discussion with participants.
The films shown were “Padre/Father” (Director Santiago Bou Grasso), a short stop motion animation piece that portrays the day-to-day life of a woman who looks after her bedridden military father. The second film was “Who am I?/Quién soy yo?”(Director Estela Bravo), a documentary about the stolen babies of the 1976-83 military dictatorship in Argentina who have recovered their true identity. Needless to say, the films provoked an interesting discussion.
The Argentinian animation can see below, and if you further questions on the project or want to participate contact Professor Brandon Hamber.
Screening Violence: Panel
Brandon Hamber continued work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol University, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia.
The “Screening Violence” project partnered with the New Gate Fringe Festival in Derry/Londonderry, which included a screening of the film “Exodus” and focus group discussion after on 31 July 2018. A panel discussing the movement of Protestants from the City side of Derry was then undertaken and filmed in the evening including panelists Gregory Campbell, Eamon McCann, Pauline Gardiner, Niall Gilmartin, and Adrian Grant.
panelists Gregory Campbell, Eamon McCann, Pauline Gardiner
Niall Gilmartin, and Adrian Grant
“Screening Violence”: Film Discussion
The Chair continued work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol Universities, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia. Further data collection was undertaken in the summer, including the screening of the Colombian film “Falsos Positivos” in partnership with the Dungannon Film Club and a focus group following the film to engage the “social imagination of violence” on 14 June 2018. Film trailer below.
Screening Violence: Colombia
The Chair began field work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol Universities, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia this month. Data collection was undertaken in partnership with the Nerve Centre which included the screening of the Colombian film “Falsos Positivos” (see details). A focus group discussion took place following the film to engage the “social imagination of violence”.
2016 Tip O’Neill Irish Diaspora Award
On on Friday night, 23 September 2016, the Chair attended the 2016 Tip O’Neill Irish Diaspora Award in Buncrana, Co Donegal. The award (the 5th) was given to Chris Matthews. Matthews is an American political commentator and most well known for his talk show “Hardball” on MSNBC. He also served as Press Secretary to Thomas P. “Tip” O’Neill.
At the event Matthews took to the opportunity to reflect on the current political situation in the US. He felt what was going on right now was “crazy”. There is a tension between Trump’s “nasty politics” and Trump selling people an unrealisable dream of “manufacturing in 1950s”, compared to Hilary Clinton as an experienced politician but being painted as “the establishment”. He also noted that when he worked with Tip O’Neill he focused on letting people “know who you are” and in O’Neill’s case that meant people could support him as his values were made more prominent. Matthews also reflected on O’Neill’s political style noting that he understood that debate was a way of moving politics forward, and that today people have forgotten this thinking debate is politics. When the debate is done compromises have to be made and the work done Matthews noted. He ended by saying that his “crystal ball is a bit foggy” about who would win the US election, but if African Americans, Hispanics and women vote, Trump will lose. But we will have to wait and see.
On the Saturday morning following the event Professor Paul Arthur, Honorary Professor at INCORE, gave the Tip O’Neill Diaspora lecture which he titled “Imagination and Politics”. He particularly focused on the relationship between Ronald Reagan and Tip O’Neill. Although from opposite political sides they had the foresight to realise they needed to work together, and they symbolised the importance of the democratic tradition.
Read the Tip O’Neill Irish Diaspora Award press release.