Category: Film Screening

Footsteps of the Disappeared

“Following the Footsteps of the Disappeared” is a two-day programme incorporating a textile display and 2 seminars to mark International Day of the Victims of Enforced Disappearances 30 August 2020.

Photo credit: La Cueca Sola / Dancing Cueca alone, Chilean arpillera, Anonymous, 1989, Oshima Hakko Museum collection, Japan. Photographer Martin Melaugh, © Conflict Textiles

Programme of Events

Launch of “Following the Footsteps of the Disappeared”, 30 August 2020, 14:00pm for more information and/or register.

Seminar “Transnational Experiences of Enforced Disappearances”, 30 August 2020, 14:00pm for more information and/or register.

Seminar “The Search for the Disappeared: Textile and art expressions”, 30 August 2020, 16:00pm for more information and/or register.

Partners

“Following the Footsteps of the Disappeared” is a partnership between Conflict Textiles, the Ulster Museum and the John Hume and Thomas P. O’Neill Chair in Peace, Ulster University, and also the Transformative Memory Network.

Ulster University INCORE

Screening Violence: Indonesia

The lastest screenings “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” took place in Dungannon on 16 January 2020, with the support of the Dungannon Film Club, showing two Indonesian films followed by a discussion with participants. The films were Sowan (The Visit) which documents the friendship of two young women, Mien and Murti, who end up on different sides of the political troubles of the mid-1960s. The second film Provocator Damai (Peace Provocateur) is short documentary charts the experiences of Christians and Muslims residing with families of the opposite faith. The second film, in particular, raised an important discussion about the impact of cross-community work in Northern Ireland, with a range of divergent views.

The AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” is undertaken with partners in Newcastle and Bristol University, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia.

Scene from The Visit (Sowan)

Screening Violence: Argentina

The Chair has continued work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol University, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia. The lastest screenings took place in Dungannon on 7 November 2019, with the support of the Dungannon Film Club, showing two Argentinian films followed by a discussion with participants.

The films shown were “Padre/Father” (Director Santiago Bou Grasso), a short stop motion animation piece that portrays the day-to-day life of a woman who looks after her bedridden military father. The second film was “Who am I?/Quién soy yo?”(Director Estela Bravo), a documentary about the stolen babies of the 1976-83 military dictatorship in Argentina who have recovered their true identity. Needless to say, the films provoked an interesting discussion.

The Argentinian animation can see below, and if you further questions on the project or want to participate contact Professor Brandon Hamber.

Screening Violence: Panel

Brandon Hamber continued work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol University, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia.

The “Screening Violence” project partnered with the New Gate Fringe Festival in Derry/Londonderry, which included a screening of the film “Exodus” and focus group discussion after on 31 July 2018. A panel discussing the movement of Protestants from the City side of Derry was then undertaken and filmed in the evening including panelists Gregory Campbell, Eamon McCann, Pauline Gardiner, Niall Gilmartin, and Adrian Grant.

  • panelists Gregory Campbell, Eamon McCann, Pauline Gardiner
    Niall Gilmartin, and Adrian Grant

“Screening Violence”: Film Discussion

The Chair continued work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol Universities, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia. Further data collection was undertaken in the summer, including the screening of the Colombian film “Falsos Positivos” in partnership with the Dungannon Film Club and a focus group following the film to engage the “social imagination of violence” on 14 June 2018. Film trailer below.

Screening Violence: Colombia

The Chair began field work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol Universities, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia this month. Data collection was undertaken in partnership with the Nerve Centre which included the screening of the Colombian film “Falsos Positivos” (see details). A focus group discussion took place following the film to engage the “social imagination of violence”.