This event is part of the WPS@20 seminar hosted by the Ulster University Transitional Justice Institute to mark the upcoming 20th anniversary of the adoption of Resolution 1325 on Women, Peace and Security by the United Nations Security Council.
The new project was funded (in December 2019) by the Reconciliation Fund of the Department of Foreign Affairs and Trade, Dublin. The on-going work on this project is being carried out by Martin Melaugh. The initial working project page can be viewed here.
The lastest screenings “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” took place in Dungannon on 16 January 2020, with the support of the Dungannon Film Club, showing two Indonesian films followed by a discussion with participants. The films were Sowan (The Visit) which documents the friendship of two young women, Mien and Murti, who end up on different sides of the political troubles of the mid-1960s. The second film Provocator Damai (Peace Provocateur) is short documentary charts the experiences of Christians and Muslims residing with families of the opposite faith. The second film, in particular, raised an important discussion about the impact of cross-community work in Northern Ireland, with a range of divergent views.
On 8 November 2019, the Chair worked with the BBC Rewind team to launch on the Magee Campus the Ten Chapters Of The Northern Ireland Troubles’. The Ten Chapters, produced by the BBC Rewind editorial and technology team, is an online, multi-media series of episodes covering the conflict in Northern Ireland from the 1950s to the 1990s. As part of the launch a workshop was run with 14-22 year olds from the City.
The Ten Chapters of the Northern Ireland Troubles can be accessed here.
The BBC project came about as a result of discussions with the INCORE/CAIN project teams at Ulster University and Queen’s University Belfast, and as part of the tripartite agreement between the BBC and the academic institutions. The CAIN team identified ten broad themes which the BBC’s Rewind team researched then curated and compiled videos and imagery from BBC News NI’s newly-digitised archive. Where appropriate, stills and video from other broadcasters have been incorporated. Designed primarily for those aged 14 and older, the resource can be used in addition to academic resources. It was created independently by the BBC in line with its editorial guidelines and was reviewed for historical accuracy by INCORE/Ulster University academics.
The Chair has continued work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol University, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia. The lastest screenings took place in Dungannon on 7 November 2019, with the support of the Dungannon Film Club, showing two Argentinian films followed by a discussion with participants.
The films shown were “Padre/Father” (Director Santiago Bou Grasso), a short stop motion animation piece that portrays the day-to-day life of a woman who looks after her bedridden military father. The second film was “Who am I?/Quién soy yo?”(Director Estela Bravo), a documentary about the stolen babies of the 1976-83 military dictatorship in Argentina who have recovered their true identity. Needless to say, the films provoked an interesting discussion.
The Argentinian animation can see below, and if you further questions on the project or want to participate contact Professor Brandon Hamber.
The “Screening Violence” project partnered with the New Gate Fringe Festival in Derry/Londonderry, which included a screening of the film “Exodus” and focus group discussion after on 31 July 2018. A panel discussing the movement of Protestants from the City side of Derry was then undertaken and filmed in the evening including panelists Gregory Campbell, Eamon McCann, Pauline Gardiner, Niall Gilmartin, and Adrian Grant.
The Chair continued work on AHRC Project “Screening Violence: A Transnational Study of Post-Conflict Imaginaries” with partners in Newcastle and Bristol Universities, and works with co-investigators and partners in Algeria, Argentina, Colombia, Northern Ireland and Indonesia. Further data collection was undertaken in the summer, including the screening of the Colombian film “Falsos Positivos” in partnership with the Dungannon Film Club and a focus group following the film to engage the “social imagination of violence” on 14 June 2018. Film trailer below.